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name: perception-router description: 'Use this skill whenever a design task involves visual perception, layout, hierarchy, grouping, scanning order, attention, color organization, or composition — regardless of framework, design system, or platform. Trigger when the user is laying out a screen, page, slide, poster, dashboard, mobile view, or print piece; choosing what to emphasize; deciding how things should group; picking type sizes, spacing, or color roles; reviewing why something "looks busy" or "feels empty"; or asking "where should the eye land first." Routes the model to the right perception principle in this plugin and surfaces the most-decisive ones for the surface in question. Framework-agnostic: applies to web, mobile, print, physical product, slide design, and information graphics alike.'

Perception & hierarchy — router

This plugin holds the principles that govern how the eye organizes a composition: what gets seen first, what groups with what, what reads as noise, what reads as quality. They are framework-agnostic; the same principle applies to a shadcn/ui card, a Material chip, a Figma slide, a poster, or a printed report.

How to route

Read the task and identify the principles that decide it. Most non-trivial perception tasks are dominated by 3–6 principles. Read those principles' skills in full; treat the rest as background.

Principles in this plugin

The list below is the full inventory of perception-related principles from Universal Principles of Design covered by this plugin. Each principle has its own skill (and where useful, sub-aspect skills) under skills/. Principles marked [full] have reference-grade skill files; the others are planned and will be added in subsequent passes.

Visual hierarchy and emphasis

• hierarchy [full] — the ranking of importance among visible elements; size, weight, color, position.
  • Sub-skills: hierarchy-typographic, hierarchy-spatial, hierarchy-color-and-tone.
• alignment — elements share an invisible axis; misalignment reads as disorder.
• area-alignment — alignment by visual mass rather than bounding box.
• signal-to-noise-ratio [full] — the ratio of meaningful information to decoration.
  • Sub-skills: snr-densification, snr-decoration-removal, snr-emphasis-economy.
• highlighting — emphasis works only when sparing.
• von-restorff-effect — the item that differs is remembered and noticed first.
• red-effect — red attracts disproportionate attention; reserve for genuine urgency.
• horror-vacui — the impulse to fill empty space; whitespace is a feature.
• layering — distinct visual planes (z, elevation) reduce noise.
• gutenberg-diagram — Z-pattern reading on uniform layouts.

Gestalt grouping

• proximity [full] — nearby items are perceived as a group.
  • Sub-skills: proximity-form-fields, proximity-data-tables, proximity-navigation.
• similarity — items that look alike are perceived as related.
• closure — the eye completes incomplete shapes.
• common-fate — elements moving together are perceived as related.
• figure-ground-relationship — every composition has a focused figure and a recessive ground.
• good-continuation — aligned edges read as connected.
• uniform-connectedness — a shared region binds elements more strongly than proximity alone.
• law-of-pragnanz — the eye prefers the simplest valid interpretation.
• contour-bias — sharp angles feel hostile; rounded corners feel friendly.

Proportion, rhythm, and depth

• golden-ratio — 1:1.618; useful as a starting proportion for hero compositions.
• fibonacci-sequence — successive Fibonacci ratios produce natural-feeling spacing scales.
• rule-of-thirds — split a composition into thirds; place focal points on intersections.
• symmetry — bilateral, radial, or translational; stable but can feel static.
• self-similarity — fractal repetition at multiple scales creates coherence.
• cathedral-effect — high "ceilings" (whitespace) invite expansive thinking; low ones invite focus.
• three-dimensional-projection — subtle depth cues (shadow, scale) clarify layering.

Typography and color

• legibility — character distinctness; a property of typeface and rendering.
• readability — sustained reading speed; a property of layout (length, leading, contrast).
• color — hue, saturation, value; cultural meaning; accessibility.
• gloss-bias — glossy surfaces read as desirable.
• top-down-lighting-bias — humans assume light from above; shadows below = raised, shadows above = recessed.

Attention quirks

• inattentional-blindness — focused users don't see unexpected elements.
• threat-detection — sharp angles, snake-like shapes, angry faces detected fast.
• orientation-sensitivity — vertical and horizontal lines processed faster than oblique.

Heuristic for which to read first

• Designing a page or screen layout → hierarchy, alignment, proximity, signal-to-noise-ratio.
• Reviewing a "busy" or "noisy" UI → signal-to-noise-ratio, highlighting, horror-vacui.
• Form layout → proximity, alignment, good-continuation, gutenberg-diagram.
• Data table or dashboard → hierarchy, signal-to-noise-ratio, legibility, gestalt similarity.
• Marketing / hero surface → hierarchy, golden-ratio or rule-of-thirds, gloss-bias, cathedral-effect.
• Empty / loading / error states → hierarchy, horror-vacui, figure-ground-relationship.
• Brand / visual-identity decisions → contour-bias, color, symmetry, self-similarity.
• Choosing color tokens → color, red-effect, top-down-lighting-bias, plus accessibility checks (see process-and-robustness-principles).

Working method

1. Name the surface in concrete terms: "B2B SaaS settings page with three sections," not "settings page."
2. Pick 3–6 decisive principles from the list above. Most surfaces are dominated by Hierarchy, Proximity, Alignment, and Signal-to-Noise.
3. Read those skills. Each principle skill includes a definition, when-to-apply guidance, anti-patterns, and worked examples.
4. Make the decision and name the trade-off. Most principles trade against another.

Cross-plugin pointers

• For learnability (mental models, complexity, defaults, recognition), see cognition-and-learnability-principles.
• For behavior (affordance, feedback, errors, control), see interaction-and-control-principles.
• For brand and tone, see aesthetics-and-emotion-principles.
• For accessibility and edge cases, see process-and-robustness-principles.