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threejs-camera-direction

threejs-camera-direction

Direct advanced Three.js camera systems. Use for scale-aware chase rigs, thrust lag, side/orbit cameras, body-relative up vectors, quaternion handoffs, authored cinematic framing, floating origins, pointer-look controls, camera collision constraints, projection ownership, and lifecycle restoration.

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Documentation de la Skill

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name: threejs-camera-direction description: Direct advanced Three.js camera systems. Use for scale-aware chase rigs, thrust lag, side/orbit cameras, body-relative up vectors, quaternion handoffs, authored cinematic framing, floating origins, pointer-look controls, camera collision constraints, projection ownership, and lifecycle restoration.

Camera Direction

Treat the camera as an authored visual system, not a passive viewport. Compose the subject, establish scale, choose a stable up frame, and make every mode handoff explicit.

Build order

  1. Define the design frame: subject size, screen occupancy, lens, near/far, motion, and horizon/up convention.
  2. Build camera targets in semantic frames: ship, body surface, docking axis, or scene-authored shot.
  3. Derive position and orientation independently, then combine them once.
  4. Add input orbit/look only inside declared yaw/pitch and spatial constraints.
  5. Add frame-rate-independent follow or a bounded spring where the reference uses inertia.
  6. Snapshot and restore camera projection/state when a scene owns it.
  7. Test mode transitions, cuts, pointer-lock reacquisition, resize, and large coordinates.

Read references/camera-rig-and-cinematic-systems.md for exact chase/side/orbit rigs, projection values, transition rules, floating-origin shot, pointer controls, and implementation limits.

Non-negotiable rules

  • Use subject dimensions to derive offsets; do not tune one fixed distance for differently scaled assets.
  • For planetary motion, derive up from the dominant body rather than global Y.
  • Interpolate position with lerp and orientation with slerp.
  • During an explicit handoff, use one interpolation stage. Do not stack a transition blend and a second follow smoother over the same interval.
  • Re-sync yaw/pitch from the camera when pointer lock is acquired.
  • Update the projection matrix whenever FOV, near, far, or aspect changes.
  • Keep stars or infinite backgrounds camera-relative when large translation would create false parallax or precision loss.
  • Restore camera and input ownership on scene disposal.

Routing boundary

Use $threejs-procedural-animation for object motion timelines, springs, docking, staging, and debris. This skill owns how the scene is viewed and how camera modes hand off.

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