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Design et création · SKILL.md

impasto-miniature-landscape

impasto-miniature-landscape

Turn uploaded photos into full-canvas 3:4 impasto miniature-landscape posters. Use for sculptural oil-paint dioramas, tactile impasto scenes, or when this skill is invoked.

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Documentation de la Skill

GitHub

name: impasto-miniature-landscape description: "Turn uploaded photos into full-canvas 3:4 impasto miniature-landscape posters. Use for sculptural oil-paint dioramas, tactile impasto scenes, or when this skill is invoked."

3D Impasto Miniature Landscape

Delivery

  • Use the source photo only as a reference for subject, structure, pose, spatial relationships, and color. Stylize the entire final canvas; do not show the original photo or create split-screen or before-and-after layouts.
  • Generate one standalone 3:4 vertical poster per source image. Process multiple images separately; never create a collage.
  • If the user asks only for a prompt, return a ready-to-use generation prompt. Otherwise, use the available image generation or editing capability directly. Ask for an upload only when no reference image is available.
  • Preserve subject identity, count, and defining features. You may refine angle, proportions, and local structure for the miniature format, but the result must remain immediately traceable to the source.

Fixed visual specification

Reconstruct the source image's most recognizable subject, silhouette, pose, and narrative relationship as a refined, dimensional, tactile 3D impasto miniature landscape.

  • Use bright white textured paper, generous negative space, and a centered or slightly off-center diagonal axis.
  • Support the subject with one translucent impasto ribbon derived from the scene. It may become water, ground, a path, a light trail, or an abstract landscape slice. Add restrained reflections, ripples, light flecks, or extended strokes only when relevant.
  • Keep the background sparse: a few scene-related impasto clouds, sun, mist, or natural motifs. Add no unrelated objects.
  • Emphasize impasto oil paint × miniature object × luminous clarity. Preserve paint buildup, palette-knife marks, raised edges, paper texture, and semi-hand-shaped materiality. Concentrate heavy paint on water, clouds, the support ribbon, and selected highlights so the subject has sculptural volume and genuine oil-paint substance.

Build the palette from the source image's brightest, liveliest colors. Raise lightness and clarity with restraint, allowing source-derived sky blue, aqua, young green, warm yellow, coral orange, or peach pink. Preserve abundant clean warm white. Use warm orange, gold, or pink only as small sunlit accents, and never force colors absent from the source.

Derive a short title from the subject, a verifiable location, mood, or symbolism. Add only minimal secondary copy, numbering, or micro-annotations along the diagonal axis, subject edge, or negative space, with the restraint of an art publication.

Quality boundaries

The result should feel bright, sunny, warm, light, healing, and alive. Avoid visible source photography, collages, subject distortion, muddy or aged color, dull Morandi palettes, brown filters, neon color, cheap candy color, cartoon-toy styling, plastic CGI, e-commerce display imagery, unrelated objects, and templates.

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