executing-plans
executing-plans
Use when executing an implementation plan in the current session as the implementer yourself — your human partner chose inline execution, or no subagent tool is available
notes-humanizerStrips AI writing patterns from text and rewrites it to sound genuinely human — removing the statistical defaults, then adding earned voice calibrated to genre (opinion pieces get a person's voice; docs and summaries stay neutral) without ever faking humanity. Use when a draft reads as AI-generated, over-polished, or rhythmically uniform — including blog po…
Independent GitHub snapshot · Automated classification · Original documentation governs
"Humanize this" prompts don't work because they don't know what to remove. AI text has specific, identifiable defaults — em dashes used as parenthetical substitutes, rule-of-three lists where all items have identical rhythm, sentences that hover between 15 and 20 words. Fix those defaults, add the signals human writers actually produce, and the text stops reading as synthetic. This skill does that systematically, in two phases, and shows you exactly what changed and why.
Credit: Originally created by Orel (TheIndiepreneur) — adapted and extended for this library.
| Input | Format | Notes |
|---|---|---|
| Text to humanize | Paste directly into the chat | Any length. Works on paragraphs, full articles, social posts, emails. |
No other inputs required. Claude will not ask clarifying questions before starting — it works with what's given.
A plain-language audit of the AI patterns detected in the original text, before any rewriting:
PATTERNS DETECTED
─────────────────
Em dashes used as parenthetical substitutes: 3
Filler openers ("Let's dive in", "It's worth noting", etc.): 2
Rule-of-three lists with identical rhythm: 1
Sentence length variance: low (avg 17 words, range 14–21)
Hedging qualifiers: 4
Passive constructions where active is cleaner: 2
| Original | Rewritten |
|---|---|
| [original paragraph] | [rewritten paragraph] |
(One row per paragraph or logical block. Short texts get the full comparison in one table. Long texts get the table collapsed to changed sections only, with unchanged sections noted.)
Every specific change made, with the reason:
CHANGES MADE
────────────────────────────────────────────────
1. Removed em dash in "success — and it shows"
→ Rewritten as "success (and it shows)"
Why: em dash here is a parenthetical substitute, not a genuine pause
2. Deleted "It's worth noting that"
Why: pure filler — the sentence is stronger without it
3. Broke rule-of-three list "X, Y, and Z"
→ "X and Y. Z is different — [expanded thought]"
Why: all three items had identical rhythm; broke the pattern
4. Split a 30-word sentence where the point turned: "…and it failed. That's the problem."
Why: the meaning lands on a short beat here — the brevity is earned, not inserted for variance
5. Added sentence starting with "But"
Why: human writers do this; AI avoids it as a statistical default
6. Added specific example: [detail added]
Why: the original made an abstract claim with no grounding detail
7. Added aside: "(I've watched this fail three times in a row)"
Why: breaks fourth wall slightly; signals genuine perspective
The full rewritten text, ready to copy and paste — no annotations, no formatting artifacts.
[Full rewritten text here]
Before touching anything, decide what kind of text this is — the genre sets how far Phase 2 goes:
The single rule underneath: calibrate voice to the job of the text. Never dismantle useful structure (a scannable doc, a real list) just to look less templated.
Read the full text before making any changes. Identify and count every instance of these patterns:
Patterns to remove or rewrite:
| Pattern | Action |
|---|---|
Em dash used as parenthetical substitute (word — word where a comma or parenthesis would work) | Replace with parentheses or rewrite the clause |
| "Let's dive in" | Delete or replace with a direct first sentence |
| "In conclusion" | Delete or rewrite as a genuine closing thought |
| "It's worth noting that" | Delete — the sentence stands without it |
| "At its core" | Delete or rewrite |
| "Game-changer" | Replace with what the thing actually changes |
| "Delve" | Replace with look, dig, explore — or rewrite the sentence |
| "Navigate" used metaphorically for non-navigation tasks | Replace with a direct verb |
| Rule-of-three lists where all three items have identical grammatical structure and similar word count | Break the third item out as its own sentence or expand it |
| Sentences where every sentence in a paragraph falls in the 14–22 word range | Deliberately add one very short sentence and one longer one |
| "Needless to say" | Delete |
| "It's important to note that" | Delete |
| Passive constructions where the active form is more direct | Flip to active |
Do not remove every em dash — only the ones used as parenthetical substitutes. Do not remove all hedging — only empty hedging that adds no information.
Only for text where earned voice is the point. These are options the content earns, not a checklist to complete — apply the ones the material genuinely supports and skip any that would be forced. A move inserted to hit a quota is itself an AI tell. Never fake humanity: no invented typos, no forced slang, no staged messiness, and no chopping or padding sentences just to manufacture rhythm variance.
A genuine opinion or take (if the author clearly holds one). State the belief the text already implies, without hedging. Don't manufacture an opinion the author never expressed.
A specific detail or example (only if a real one exists). Ground the most abstract claim in something concrete the author actually knows. Never invent a number, quote, date, name, or fact to sound specific — that's fake specificity, a worse tell than vagueness. If no real detail is available, ask the author for one or keep the honest abstraction; do not fabricate.
An aside that steps out of the formal argument (where it fits the register). The signal most synthetic text lacks — but only in genres that welcome it, and only when it connects to a real point. Forced or cutesy asides are worse than none.
Let a sentence be short where the point lands on a short beat. Follow the meaning, not a word count. Never shorten a sentence just to add "variance."
Start a sentence with "And" or "But" only where the rhythm truly earns it. If no place does, don't add one — a random "But" is a tell, not a fix.
Present the output in the four-section structure defined above. The change log must list every individual change — not categories of change, but specific instances. If you changed three em dashes, list all three separately.